K as in Knife

Unknown quantities, resonant frequencies, moving parts, and everything in between -- an ongoing mixtape of great music, comedy, film, photography, and design, curated and obsessively annotated by C. Mason Wells.

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Coles Phillips, Good Housekeeping cover (1916)
An example of ad and cover artist Phillips’s distinctive “take-away” style, where his subjects’ clothes would bleed into the backgrounds, vividly turning negative space into positive — and vice versa.Coles Phillips, Good Housekeeping cover (1916)
An example of ad and cover artist Phillips’s distinctive “take-away” style, where his subjects’ clothes would bleed into the backgrounds, vividly turning negative space into positive — and vice versa.

Coles Phillips, Good Housekeeping cover (1916)

An example of ad and cover artist Phillips’s distinctive “take-away” style, where his subjects’ clothes would bleed into the backgrounds, vividly turning negative space into positive — and vice versa.

All strips are supposed to be entertaining, but some strips have a point of view and a serious purpose behind the jokes. When the cartoonist is trying to talk honestly and seriously about life, then I believe he has a responsibility to think beyond satisfying the market’s every whim and desire. Cartoonists who think they can be taken seriously as artists while using the strip’s protagonists to sell boxer shorts are deluding themselves.

“The world of a comic strip is much more fragile than most people realize or will admit. Believable characters are hard to develop and easy to destroy. When a cartoonist licenses his characters, his voice is co-opted by the business concerns of toy makers, television producers, and advertisers. The cartoonist’s job is no longer to be an original thinker; his job is to keep his characters profitable. The characters become ‘celebrities,’ endorsing companies and products, avoiding controversy, and saying whatever someone will pay them to say. At that point, the strip has no soul. With its integrity gone, a strip loses its deeper significance.

“My strip is about private realities, the magic of imagination, and the specialness of certain friendships. Who would believe in the innocence of a little kid and his tiger if they cashed in on their popularity to sell overpriced knickknacks that nobody needs? Who would trust the honesty of the strip’s observations when the characters are hired out as advertising hucksters? If I were to undermine my own characters like this, I would have taken the rare privilege of being paid to express my own ideas and given it up to be an ordinary salesman and a hired illustrator. I would have sold out my own creation. I have no use for that kind of cartooning.

—Bill Watterson, from the essay “Licensing” in his Calvin & Hobbes: Tenth Anniversary Book. This piece, when I first read it as a kid, was hugely influential on the way I look at art and the world.
A 1957 letter from J.D. Salinger, on why Catcher in the Rye shouldn’t be translated to the stage or screen.A 1957 letter from J.D. Salinger, on why Catcher in the Rye shouldn’t be translated to the stage or screen.

A 1957 letter from J.D. Salinger, on why Catcher in the Rye shouldn’t be translated to the stage or screen.

From designer Matt Brown, the Slant Notebook would come in especially handy when writing in a tight spot or at an awkward angle.From designer Matt Brown, the Slant Notebook would come in especially handy when writing in a tight spot or at an awkward angle.

From designer Matt Brown, the Slant Notebook would come in especially handy when writing in a tight spot or at an awkward angle.

[Flash 9 is required to listen to audio.]

cityplanning:

“Homo Ludens - Vancouverites at Play”

From The Vancouver Soundscape recorded between September 1972 and August 1973, as part of The World Soundscape Project, a pioneering work in acoustic ecology.

Play count: 49
Magician Harry Houdini’s personal letterhead. Via the terrific site Letterheady.Magician Harry Houdini’s personal letterhead. Via the terrific site Letterheady.

Magician Harry Houdini’s personal letterhead. Via the terrific site Letterheady.

“Cosmic Clock,” Al Jarnow

Al Jarnow’s animations are surely more famous than he is. He created several legendary anonymous short films for public children’s programs (including Sesame Street and 3-2-1 Contact) from the 1970s-90s that work as both educational tools and experimental film mini-masterpieces — all while paying the bills with teaching and software development gigs. The good folks at Numero Group have just released a collection of Jarnow’s astounding work, including pieces like the magical one above.

[Flash 9 is required to listen to audio.]

Tommy Jay, “Memories” (1986)

Haunting basement-DIY-synth country from Ohio, with a decided Mayo Thompson influence. Reminds me somewhat of my friend Kevin Bewersdorf’s music: toeing a delicate line between electronic and organic, strangely funny and emotionally sincere.

Play count: 28
Sue Tompkins, “Fruit Works”
A “typewriter drawing” from poet-writer-singer-artist extraordinaire Tompkins, former lead singer of the much-missed Life Without Buildings. This piece brings some of the energy of her live performance to the page.Sue Tompkins, “Fruit Works”
A “typewriter drawing” from poet-writer-singer-artist extraordinaire Tompkins, former lead singer of the much-missed Life Without Buildings. This piece brings some of the energy of her live performance to the page.

Sue Tompkins, “Fruit Works”

A “typewriter drawing” from poet-writer-singer-artist extraordinaire Tompkins, former lead singer of the much-missed Life Without Buildings. This piece brings some of the energy of her live performance to the page.

“It’s like diamond-cutting or hunting for bear or dropping out of a tree. Sometimes, it’s like ping-pong. Other times it’s like operating on a flamingo. Every song’s different. Some are like empty swimming pools, and you’ve got to be the water.”

—Tom Waits, December 23, 2009, on songwriting

Félix Fénéon's "Novels in 3 Lines"

French writer Félix Fénéon led a heck of a life: being the first to publish Joyce in French, discovering Seurat, editing Rimbaud, writing journalism for Le Figaro. But his most noteworthy achievement, perhaps, came toward the end of his life, when he wrote a proto-crime blotter for Le Matin, penning terse, grim — and often hilariously sardonic, even poetic — accounts of French crime and death. Many of these reports were collected in the aptly-titled anthology “Novels in Three Lines,” published by the always-essential New York Review of Books Classics line and translated by the great Luc Sante. Fénéon was a master of one of my favorite tricks: saying a lot with a little. Here is but a small selection of some personal favorites:

  • In a café on Rue Fontaine, Vautour, Lenoir, and Atanis exchanged a few bullets regarding their wives, who were not present.
  • “If my candidate loses, I will kill myself,” M. Bellavoine, of Fresquienne, Seine-Inférieure, had declared. He killed himself.
  • Scheid, of Dunkirk, fired three times at his wife. Since he missed every shot, he took aim at his mother-in-law, and connected.
  • A certain madwoman arrested downtown falsely claimed to be nurse Elise Bachmann. The latter is perfectly sane.
  • Finding her son, Hyacinthe, 69, hanged, Mme. Ranvier, of Bussy-Saint-Georges, was so depressed she could not cut him down.
  • Leaning on the door, a traveler a tad overweight caused his carriage to topple, in Ménilmontant, and fractured his skull.
  • In Le Brabant, Vosges, M. Amet-Chevrier, 42, and his wife, 39, are as of now the parents of nineteen children.
  • His head injury was not serious, believed Kremer, of Pont-à-Mousson, who continued working for a few hours, then dropped dead.
  • Weighed down with bronzes, with china, with linens and with tapestries, two burglars were arrested, at night, in Bry-sur-Marne.
  • Bonnaut, a locksmith in Montreuil, was chatting on his doorstep when the gangster called Shoe Face struck him twice with a knife.
  • Two gypsies fought over young Colomba, near Belfort. In the fray, one of them, Sloga, shot her dead.
  • A hanged man, there two months, has been found in the Estérel mountains. Fierce birds had completely disfigured him with their beaks.
  • At 20, M. Julien blew his brains out in the toilet of a hotel in Fontainebleau. Love pains.
  • Charles Delièvre, a consumptive potter of Choisy-le-Roi, lit two burners and died amid the flowers he had strewn on his bed.
  • A merchant of Courbevoie, M. Alexis Jamin, who had had enough of his stomach troubles, blew his brains out.
  • V. Petit, of Marizy-Sainte-Geneviève, Aisne, wanted to die happy. He drank two liters of wine and one of spirits and, in fact, died.
  • In Clichy, an elegant young man threw himself under a coach with rubber wheels, then, unscathed, under a truck, which pulverized him.
  • Since childhood Mlle. Mélinette, 16, had harvested artificial flowers from the tombs of Saint-Denis. That’s over; she’s in the workhouse.
  • At the station in Mâcon, Mouroux had his legs severed by an engine. “Look at my feet on the tracks!” he cried, then fainted.
  • Catherine Rosello of Toulon, mother of four, got out of the way of a freight train. She was then run over by a passenger train.
  • Among the Arabs of Douaouda, a couple captured an overzealous suitor and mutilated him, permanently cancelling his virility.
  • Just married, the Boulches of Lambézellec, Finistère, were already so drunk it was necessary to lock them up within the hour.
  • In the vicinity of Noisy-sous-École, M. Louis Delillieau, 70, dropped dead of sunstroke. Quickly his dog Fido ate his head.
  • Before jumping into the Seine, where he died, M. Doucrain had written in his notebook, “Forgive me, Dad. I like you.”
  • Near Brioude, a bear was smothering a child. Some peasants shot the beast and nearly lynched its exhibitor.
An acoustic listening device developed by the Dutch army between WWI and WWII.An acoustic listening device developed by the Dutch army between WWI and WWII.

An acoustic listening device developed by the Dutch army between WWI and WWII.

[Flash 9 is required to listen to audio.]

“La Pologne,” La France Chasons (2007)

I have expressed my love of the lost pop genius John Pantry here before, a love shared by the French filmmaker Serge Bozon. Bozon’s beautiful 2007 war musical LA FRANCE, in fact, features soldiers singing melodies inspired by (or directly lifted from) Pantry songs. This particular track takes the lovely, infectious refrain from Pantry’s “Gospel Lane” to new heights. Thanks to my friend Michael Lieberman for finding this.

Play count: 15
David Bowie’s personal reply to his first-ever fan letter (1967)David Bowie’s personal reply to his first-ever fan letter (1967)

David Bowie’s personal reply to his first-ever fan letter (1967)